Diverse Learning Needs: Promoting Equity with Multimodal Instruction

Published on 13 June 2025 at 15:42

In today's diverse educational landscape, it is imperative to address the varied learning needs of individuals to ensure equitable access to education. One effective way to promote equity in education is through the implementation of multimodal instruction.

Creating Culturally Responsive Curriculum and Instruction with the Brain in Mind in a Digital World!

Overview:

This session examines the intersection of neuroscience, digital equity, and culturally responsive pedagogy in support of all learners. Participants will learn how to design

  1. Digital Equity, UDL, and Technology Integration

Key Themes:

Neuroeducation: Understand how the brain learns best, through safety, connection, relevance, and joy.

Cultural Responsiveness: Embed students’ cultural experiences into curriculum and instruction using frameworks like Culturally Relevant Pedagogy (Ladson-Billings) and Historically Responsive Literacy (Muhammad).

Digital World Integration: Use technology not just as a delivery method but as a bridge to storytelling, creativity, and critical thinking, especially for multilingual learners and students of color.

Universal Design for Learning (UDL): Apply brain-based principles of engagement, representation, and expression with cultural and linguistic responsiveness.

Foundational Research on Culturally Responsive Pedagogy

  1. Ladson-Billings, G. (1995).
  2. Toward a theory of culturally relevant pedagogy.
  3. American Educational Research Journal, 32(3), 465–491.
  4. https://doi.org/10.3102/00028312032003465
  5. Gay, G. (2010).
  6. Culturally Responsive Teaching: Theory, Research, and Practice (2nd ed.).
  7. Teachers College Press.
  8. Muhammad, G. (2020).
  9. Cultivating Genius: An Equity Framework for Culturally and Historically Responsive Literacy.
  10. Scholastic.

Neuroscience and Brain-Based Learning

  1. Jensen, E. (2005).
  2. Teaching with the Brain in Mind (2nd ed.).
  3. ASCD.
  4. Immordino-Yang, M. H. (2016).
  5. Emotions, Learning, and the Brain: Exploring the Educational Implications of Affective Neuroscience.
  6. W. W. Norton & Company.
  7. Sousa, D. A. (2016).
  8. How the Brain Learns (5th ed.).
  9. Corwin.

Digital Equity, UDL, and Technology Integration

  1. CAST (2018).
  2. Universal Design for Learning Guidelines version 2.2.
  3. http://udlguidelines.cast.org
  4. Lisenbee, P. S., & Ford, C. M. (2018).
  5. Culturally responsive digital storytelling: Supporting students’ voice and identity through technology.
  6. Contemporary Issues in Technology and Teacher Education, 18(4), 620–637.
  7. https://citejournal.org/volume-18/issue-4-18/
  8. Resta, P., & Laferrière, T. (2015).
  9. Digital equity and intercultural education.
  10. Education and Information Technologies, 20(4), 743–756.
  11. https://doi.org/10.1007/s10639-015-9419-z
  12. National Center for Education Statistics (NCES). (2022).
  13. Digital Access in the U.S. Public Schools.
  14. https://nces.ed.gov/

 Culturally Responsive Technology and Learning

  1. Paris, D., & Alim, H. S. (2017).
  2. Culturally Sustaining Pedagogies: Teaching and Learning for Justice in a Changing World.
  3. Teachers College Press.
  4. Tichavakunda, A. A. (2021).
  5. Black Campus Life: The Worlds Black Students Make at a Historically White Institution.
  6. SUNY Press. (Discusses tech and identity in academic environments.)
  7. Darling-Hammond, L., Flook, L., Cook-Harvey, C., Barron, B., & Osher, D. (2019).
  8. Implications for educational practice of the science of learning and development.
  9. Applied Developmental Science, 24(2), 97–140.
  10. https://doi.org/10.1080/10888691.2018.1537791

Middle School Integrated Lesson Plan: Place-Based Poetry and Cultural Arts

Title: Chattanooga Rising: Exploring Place-Based Poetry through Black Music, Art, and Theater

Grade Level: 6th–8th Grade (Middle School)

Length: 1–2 weeks (5–10 sessions)

Theme: Place-Based Poetry, Cultural Memory, and Creative Expression

Anchor Text: "Chattanooga" by Ishmael Reed

Theoretical Frameworks:

  • Historically Responsive Literacy (Gholdy Muhammad)
  • Sociocultural Theory (Vygotsky)
  • Universal Design for Learning (CAST, 2018)
  • Culturally Responsive SEL (CASEL)

 

Learning Objectives:

  1. Students will analyze and interpret Ishmael Reed's poem "Chattanooga" to explore the intersections of place, identity, and history.
  2. Students will express their personal and cultural narratives through original poetry, visual art, and performance.
  3. Students will use digital tools to document, share, and present their creative work.
  4. Students will develop social-emotional skills through reflection, community building, and voice.
  5. Students will explore how Black music, art, and theater shape cultural identity and resistance.

 

Standards Alignment:

  • ELA: CCSS.ELA-LITERACY.RL.6-8.2, W.6-8.3, SL.6-8.4
  • Social Studies: D2.His.1.6-8, D2.Civ.2.6-8
  • Visual & Performing Arts: National Core Arts Standards (Anchor Standards 1-7)
  • Technology: ISTE Standards for Students 1.1, 1.6, 1.7

 

Materials:

  • Poem: "Chattanooga" by Ishmael Reed (print and digital)
  • Audio recordings of jazz, blues, and hip-hop from Chattanooga
  • Digital tools: Canva, Book Creator, Flipgrid, Soundtrap
  • Art supplies: poster paper, paints, collage materials
  • Headphones, devices, projectors

Chattanooga

1
 
Some say that Chattanooga is the
Old name for Lookout Mountain
To others it is an uncouth name
Used only by the uncivilised
Our a-historical period sees it
As merely a town in Tennessee
To old timers of the Volunteer State
Chattanooga is “The Pittsburgh of
The South”
According to the Cherokee
Chattanooga is a rock that
Comes to a point
 
They’re all right
Chattanooga is something you
Can have anyway you want it
The summit of what you are
I’ve paid my fare on that
Mountain Incline #2, Chattanooga
I want my ride up
I want Chattanooga
 
 
2
 
Like Nickajack a plucky Blood
I’ve escaped my battle near
Clover Bottom, braved the
Jolly Roger raising pirates
Had my near miss at Moccasin Bend
To reach your summit so
Give into me Chattanooga
I’ve dodged the Grey Confederate sharpshooters
Escaped my brother’s tomahawks with only
Some minor burns
Traversed a Chickamauga of my own
Making, so
You belong to me Chattanooga
 
 
3
 
I take your East Ninth Street to my
Heart, pay court on your Market
Street of rubboard players and organ
Grinders of Haitian colors rioting
And old Zip Coon Dancers
I want to hear Bessie Smith belt out
I’m wild about that thing in
Your Ivory Theatre
Chattanooga
Coca-Cola’s homebase
City on my mind
 
 
4
 
My 6th grade teacher asked me to
Name the highest mountain in the world
I didn’t even hesitate, “Lookout Mountain”
I shouted. They laughed
Eastern nitpickers, putting on the
Ritz laughed at my Chattanooga ways
Which means you’re always up to it
 
To get to Chattanooga you must
Have your Tennessee
“She has as many lives as a
cat. As to killing her, even
the floods have failed
you may knock the breath out of
her that’s all. She will re-
fill her lungs and draw
a longer breath than ever”
From a Knoxville editorial—
1870s
 
 
5
 
Chattanooga is a woman to me too
I want to run my hands through her
Hair of New Jersey tea and redroot
Aint no harm in that
Be caressed and showered in
Her Ruby Falls
That’s only natural
Heal myself in her
Minnehaha Springs
58 degrees F. all year
Around. Climb all over her
Ridges and hills
I wear a sign on my chest
“Chattanooga or bust”
 
 
6
 
“HOLD CHATTANOOGA AT ALL HAZARDS”—Grant to Thomas
 
When I tasted your big juicy
Black berries ignoring the rattle-
Snakes they said came to Cameron
Hill after the rain, I knew I
Had to have you Chattanooga
When I swam in Lincoln Park
Listening to Fats Domino sing
I found my thrill on Blueberry
Hill on the loudspeaker
I knew you were mine Chattanooga
Chattanooga whose Howard Negro
School taught my mother Latin
Tennyson and Dunbar
Whose Miller Bros. Department
Store cheated my Uncle out of
What was coming to him
A pension, he only had 6
Months to go
Chattanoooooooooooooooooga
Chattanoooooooooooooooooga
“WE WILL HOLD THIS TOWN TILL WE STARVE”-Thomas to Grant
 
 
7
 
To get to Chattanooga you must
Go through your Tennessee
I’ve taken all the scotsboros
One state can dish out
Made Dr. Shockley’s “Monkey Trials”
The laughing stock of the Nation
Capt. Marvel Dr. Sylvanias shazam
Scientists running from light-
ning, so
Open your borders. Tennessee
Hide your TVA
DeSota determined, this
Serpent handler is coming
Through
 
Are you ready Lookout Mountain?
 
“Give all of my Generals what he’s
drinking,” Lincoln said, when the
Potomac crowd called Grant a lush
 
 
8
 
I’m going to strut all over your
Point like Old Sam Grant did
My belly full of good Tennessee
Whiskey, puffing on
A.05 cigar
The campaign for Chattanooga
Behind me
Breathing a spell
Ponying up for
Appomattox!
Copyright Credit: Ishmael Reed, "Chattanooga" from New and Collected Poems. Copyright © 2007 by Ishmael Reed.  Reprinted by permission of Lowenstein Associates.
Source: New and Collected Poems (Da Capo Press; Perseus Books Group, 2007)

 

          Multimodal instruction refers to the use of multiple sensory modalities, such as visual, auditory, kinesthetic, and tactile, to deliver information effectively. By incorporating diverse instructional methods, educators can cater to the various learning preferences and abilities of students, ultimately creating a more inclusive learning environment. At "Cultivating Equity Through Multimodal Instruction," we believe that embracing multimodal instructional approaches is key to supporting diverse learning needs. Our services and resources are designed to help educators integrate a variety of teaching techniques and technologies to engage students and enhance their learning experience. By incorporating visual aids, hands-on activities, technology tools, and personalized learning strategies, educators can better accommodate students with different learning styles, preferences, and abilities.

        This approach not only supports academic achievement but also fosters a sense of belonging and inclusivity among all learners. In promoting equity through multimodal instruction, educators can empower students to reach their full potential and cultivate a more inclusive and supportive learning environment. By recognizing and addressing the diverse learning needs of students, we can create a more equitable educational system where every individual has the opportunity to thrive. Join us at "Cultivating Equity Through Multimodal Instruction" as we work towards creating a more inclusive and equitable educational landscape through the power of multimodal instruction. Together, we can ensure that every student receives the support and resources they need to succeed.